The Rover is the feel-good film of the summer. Be sure to take your tween daughters, who've just discovered the Twilight series to see it.
O.k. that isn't even remotely true but it would be hilarious if someone actually did that. The Rover is a dark film about people losing their humanity. It features the always excellent Guy Pearce and Robert Pattinson traveling through a blasted hellscape.
The film is a simple one. There has been some sort of collapse--political, environmental, economic and Australia is now in a lawless, everyone-for-themselves mode. A group of men steal a car from Pearce's Eric and he aims to pursue them. One of the men's brother's, Pattinson's Rey, has been left behind, injured. The de-humanized, almost monstrous Eric, take him to track down the car.
But this movie isn't about cars, or vengeance. It shows characters who have, in varying degrees lost hope, lost purpose but who, in some cases, are at "peace" with this ("peace" is an odd word to use in any description of this film).
O.k. that isn't even remotely true but it would be hilarious if someone actually did that. The Rover is a dark film about people losing their humanity. It features the always excellent Guy Pearce and Robert Pattinson traveling through a blasted hellscape.
The film is a simple one. There has been some sort of collapse--political, environmental, economic and Australia is now in a lawless, everyone-for-themselves mode. A group of men steal a car from Pearce's Eric and he aims to pursue them. One of the men's brother's, Pattinson's Rey, has been left behind, injured. The de-humanized, almost monstrous Eric, take him to track down the car.
But this movie isn't about cars, or vengeance. It shows characters who have, in varying degrees lost hope, lost purpose but who, in some cases, are at "peace" with this ("peace" is an odd word to use in any description of this film).
The film is interesting in that the protagonist, Eric, is probably the worst person in the film. He kills without conscience, even if his words, on one occasion hint at some residual morality. Others cling to some vague sort of community--be it the community of a brothel or a "convenience store" where customers are held at the point of a shotgun while making a "purchase."
Many of the characters go through the motions of their former lives--they sell things for money that is now valueless. They perform duties no one cares about and that are also pointless. They go through the motions.
It seems that the only one who understands is Eric who is a man drained of anything human. He is indifferent to his own well-being. Asked, at one point, about why he thinks another character won't just shoot him down, he replies that he doesn't think that. His life means nothing to him. It is a chilling and laconic performance by Pearce.
Pattinson is a simple minded young man whose nature is gentle. Before he even appears on screen you know he isn't made for this dark world. He lacks the cruelty and indifference to stay alive. He tells the indifferent Eric stories about his growing up. When questioned; "why are you telling me this?" He replies "Everything doesn't have to be about something."
This is a sentiment no one else in this movie could possibly share.
Pattinson gets less respect than deserved. What young actor WOULDN'T take the Twilight role? This movie goes a long, long way toward him getting respect for his acting chops. He more than holds his own with Pearce and that is no easy task.
The dreary plot and disturbing performances are matched by blasted landscapes and abandoned housing, by dead-eyed characters and a feeling of utter pointlessness.
The Rover is not a fun movie but it is a rare film with a point and perspective on humanity. Because, by the film's end, even if there is no revelatory return to humanity for Eric, you see that there is something left in him. Of course, when you see this? The movie, in the next shot practically, snatches it away to highlight the pointlessness of this world and then UNDERLINE it.
Many of the characters go through the motions of their former lives--they sell things for money that is now valueless. They perform duties no one cares about and that are also pointless. They go through the motions.
It seems that the only one who understands is Eric who is a man drained of anything human. He is indifferent to his own well-being. Asked, at one point, about why he thinks another character won't just shoot him down, he replies that he doesn't think that. His life means nothing to him. It is a chilling and laconic performance by Pearce.
Pattinson is a simple minded young man whose nature is gentle. Before he even appears on screen you know he isn't made for this dark world. He lacks the cruelty and indifference to stay alive. He tells the indifferent Eric stories about his growing up. When questioned; "why are you telling me this?" He replies "Everything doesn't have to be about something."
This is a sentiment no one else in this movie could possibly share.
Pattinson gets less respect than deserved. What young actor WOULDN'T take the Twilight role? This movie goes a long, long way toward him getting respect for his acting chops. He more than holds his own with Pearce and that is no easy task.
The dreary plot and disturbing performances are matched by blasted landscapes and abandoned housing, by dead-eyed characters and a feeling of utter pointlessness.
The Rover is not a fun movie but it is a rare film with a point and perspective on humanity. Because, by the film's end, even if there is no revelatory return to humanity for Eric, you see that there is something left in him. Of course, when you see this? The movie, in the next shot practically, snatches it away to highlight the pointlessness of this world and then UNDERLINE it.
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